This story first appeared in the November 1933 issue of Weird Tales and was Catherine Lucille Moore’s first paying story. She went by the moniker C.L. Moore to hide her author side hustle from her day-time banker job. It also might have had to with the fact that she wrote the story there. In order to stay busy during a lull she was practicing her typing speed. From memory she started typing the poem, The Haystack in the Flood. After a typo stating that there was a red running figure, she was so amused by the visual that she asked herself, why was the woman running and who was she running from. And with that she dove right in to the opening line of Shambleau.
Written review below. Video review here:
Weird Tales editor, Farnsworth Wright kept a tally on which stories were most popular. Shambleau was the second most popular story to ever be published in Weird Tales. The first being A Merritt’s “The Woman of the Wood.” – note to self. Find that story. Third was The Outsider by H.P. Lovecraft.
Here is what our man H.P. had to say about Shambleau:
Shambleau is great stuff, too. It begins magnificently, on just the right note of terror, and with black intimations of the unknown. The subtle evil of the Entity, as suggested by the unexplained horror of the people, is extremely powerful—and the description of the Thing itself when unmasked is no letdown. Like “The House of the Worm”, it has real atmosphere and tension—rare thing amidst the pulp traditions of brisk, cheerful, staccato prose and lifeless stock characters and images. The one major fault is the conventional interplanetary setting. That weakens and dilutes the effect of both by introducing a parallel or rival wonder and by removing it from reality. Of course, a very remote setting had to be chosen for so unknown marvel—but some place like India, Africa, or the Amazon jungle might have been used…with the horror made more local. I trust your revisions may make Mrs. Moore’s second story as striking and interesting as this one.
—H. P. Lovecraft to Farnsworth Wright, 21 Nov 1933, Lovecraft Annual 8.38-39
And now that you’ve had a master’s review, here is a novice review:
The basic premise: Interplanetary smuggler bandit Northwest Smith is kicking around a small Earth colony on Mars waiting for his connection to arrive. The cries of an angry mob yelling Shambleau pursue a young woman running for her life. Though he is no crusader, he feels for the girl and decides to step in. The mob, angry and confused as to why he would want to protect a Shambleau, eventually dispersed. The girl is shapely and attractive with brown skin, cat eyes, small sharp teeth and what appears to be red hair under her turban. She doesn’t really speak any languages, Smith knows so when he asks her why the mob was after her there is no reply. Northwest decides it’s too dangerous for her on the streets and takes her back to his hotel room. He leaves her there while he goes out to conduct business.
He comes back drunk and surprised to still see her. In his drunken state he revaluates the situation and her banging body in spite of those weird cat eyes. She is flirty. He goes in for the kiss and is simultaneously turned and completely repulsed. He shoves her away, throws some blankets on the floor and tells her, that’s where she’ll be sleeping.
Something is odd about the girl. Why were those town people chasing her? He is starting to doubt his decision in inviting this girl back to his room. She sits in the darkness. Never eats. Eye’s him strangely. Yet, he doesn’t kick her out. Who or what is this strange woman?
And that’s the set-up.
H.P. wasn’t kidding when he commented on the atmosphere and tension. First off it doesn’t feel like a science fiction story. This is horror story straight to the bone. I read that when she first envisioned the character Northwest Smith he was more of a Western character, and that is what this story feels like in atmosphere. Yes, there are Venusians, and we’re on Mars but it has a western flavor to it. Northwest, an infamous smuggler with questionable morality, all dressed in leather, carries his blaster…eh hem, I mean his heat beam gun, sorry I didn’t mean to insinuate that this is Han Solo because… it is. The more pulp I read the more I see the “inspirations.” But there the Stars Wars ends, and the story becomes an ancient mythic horror story.
The woman is mesmerizing. She’s odd but not creepy at first. She was a victim and Northwest saved her life. What is there to worry about? Moore slowly builds that tension though. This isn’t some monster on the edge of the darkness hunting you. This is something that shouldn’t even be a threat, five feet from your bed. Staring at you when your eyes open in the middle of the night. This story will make you uncomfortable. The ending reminds me of how Karl Kolchak would reflect on the story at the end of every one of his episodes. It is an exposition reflection that hints at the nature of addiction. Having something almost kill you, bring you pleasure and the fortitude to walk away.
Caedmon Records released a spoken word version of Shambleau read by C.L. Moore herself in 1980. They knew what they were doing because they even got paperback cover artist Kelly Freas to paint the cover. It goes for around $25-$35 but there is someone selling a Near Mint for $90.
For Black History Month this year I wanted to put together this little article featuring some black vintage genre fiction writers. The bulk of the output is from the pre-90s era though some of the writers continue to produce even to this day. I'm am in no way an expert and just like anything else on this blog I am just an amateur fan who wants to learn more about the fiction that I love.
I left off Iceberg Slim and Donald Goines as I intend to do a whole article/video about the publisher Holloway House and I will cover them in depth in that one. I am also posting a book review and bio of Chester Himes in the next post so go check that out.
There is a video version of this as usual, and it is right here:
Born 1947 and died in 2006. She grew up in Pasadena California and attended the Pasadena City College and then later would take writing classes through the UCLA and once attended a Writers Guild of America West workshop taught by Harlan Ellison who encouraged her to attend the six-week Clarion Science Fiction Writers Workshop.
Her first story was published in 1971 for the Clarion Workshop and she sold another for Harlan Ellison’s anthology The Last Dangerous Visions which was not published until 2024.
In the mid-1980s she won Hugo and Nebula awards for her body horror Novelette, Bloodchild.
She published 14 novels including the Patternist Series about a secret history continuing from the Ancient Egyptian period to the far future that involves telepathic mind control and an extraterrestrial plague.
She also wrote the Lilith’s Brood series, a post nuclear war has all but destroyed humanity and an alien races comes in to save the survivors but in order to do that the humans must mix their genetic makeup and become hybrids like the aliens, losing their humanity. the Parable series and two stand alones.
References:
Jessnevins.com
wikipedia
Born in 1946 in Pennsylvania and died in Nova Scotia Canada in 2020. He graduated from Lincoln University in 1968 with a degree in psychology. In 1969 he was drafted to fight in Vietnam but instead relocated to Canada.
He is most well-known for his character Imaro, a warrior of the plains of Nyumbani, a fictional version of Africa. Imaro is often compared to Conan and Saunders has said how he was influenced by Robert E Howard, but Imaro was also a reaction to Edgar Rice Burroughs, Tarzan. Saunders said in an interview published in the journal Black American Literature Forum published by John Hopkins University press, “I think he was born when I watched a Tarzan movie and fantasized a Black man jumping up and beating the hell out of (Tarzan actor) Johnny Weissmuller,”
Imaro was first published as short stories in Gene Day’s fanzine, Dark Fantasy. The first Iamro story was reprinted in DAW books first, Year’s Best Fantasy Stories edited by Lin Cater. DAW owner, Donald A Wollheim then encouraged Saunders to put together the short stories in a fix up that would become the first Imaro novel. There were 5 entries in the Imaro series, the first three published by DAW in the early to mid-80s and then he brought the character back in 2009 for one novel and another in 2017. The Imaro series is steeped in African locations, history, people, folklore and tribes, each with slight adjustments to add to the fantastical fiction world of Nyumbani. Unlike other characters and racial themes in this article/video, Imaro’s struggle is a personal one.
He has another character named Dossouye who is a female warrior that appeared in a short story anthology called Amazons in 1979. Dossouye was based on the Dahomey Amazons which were an all female military regiment that protected the West African kingdom of Dahomey from the 17th century until the late 19th century. Three more stories followed in Marrion Zimmer Bradley’s Sword and Sorceress anthologies. In 1986 Saunders wrote the script for the movie Amazons based off of the Dossouye stories but in the movie the warriors were all blond, white ladies so, yeah, loose adaptation. In 2008 he resurrected the character with a fix up novel of the previous stories and a completely new novel in 2012.
He had a few non-fiction books centered around his home in Nova Scotia. One piquing my interest the most is a book called Sweat and Soul: The Saga of Black Boxers from the Halifax Forum to Caesars Palace released in 1990.
And while doing the research for this I stumbled upon another boxing related Saunders authored book, Damballa from 2011, which is a black vigilante pulp style hero. It’s 1938 in Harlem and there is a heavyweight championship fight between the US champion and a German challenger. Saunders based the fight off one of the most important fights in boxing history which was the rematch of the Joe Louis- Max Schmelling fight. In this book the Nazis are rigging the match for their guy to win but Damballa has figured it out and set to put a stop to them.
References:
Ny Times article by Neil Genzlinger
Blackgate.com
Airship27.com
Youtube:
Secret Fire Books
David Books and Comics
Was born in 1933 in Baltimore and died in 2003 in New York. He graduated from Queens College with a degree in creative writing and history. He had an affinity of Japanese culture and thus trained in martial arts earning advanced degree black belts in karate and aikido.
His first published works were two non-fiction books. One is a biography of Black Panther political activist Angela Davis and the other a study on cocaine in 1970s New York. Through his investigate work he was introduced to many real world DEA and CIA agents which led him to his first fiction series, Narc.
Narc was written under the pseudonym Robert Hawkes and was a nine-book series which lasted from 1973 to 1975. It was a Men’s Adventure crime series about a white Narcotics Agent named John Bolt who kicks ass, gets ladies and takes on drug dealers.
The books of his that I was most aware of before doing this article were the Black Samurai series. This time under his own name and with a black protagonist hero named Robert Sand, an American GI stationed in Japan. He gets shot while trying to stop some baddies from attacking an old man. Turns out the man was a Samurai master who kicks the shit out of the assailants as Sand is passing out. Sand goes under his wing for Samurai training and within seven years he is a force of nature and also the first black man to ever take the oath of the Samurai. The Black Samurai series had 8 entries from 1974 to 1975 and was even made into a movie starring Jim Kelly.
In 1976 he started his Harker series about an investigative journalist named Harker who takes on corruption and crime. The series only had four entries lasting from 1976 to 1978.
He also had 17 standalone novels many influenced by his love of Japanese culture.
Horror novels- Book of Shadows and Poe Must Die
References:
Marcolden.com
Paperbackwarrior.com
Youtube:
David Books and Comics
Born in 1944 and died from brain cancer at the age of 62 in 2006. He joined the Air Force in 1964 and went to fight in the Vietnam War. Afterward he was veteran with a bullet scar in his neck. He lived in LA in Watts, the Crenshaw District and Inglewood. Joe wrote over 60 novels mostly put out by Holloway House whom he was also an editor for. He was also editor of Players magazine, a nudie magazine featuring black ladies which was the first of its kind. He was more a follower of the ideologies of Martin Luther King Jr than the militant aspects of 60’s black militant activism.
Joseph Nazel wrote a few series characters. One of them being: Black Cop under the pseudonym Dom Grober. Black Cop had four entries from 1974 to 1976 and stars a Vietnam veteran named James Rhodes who works for the LAPD narcotics division. The series seems to be a basic police procedural but with a black lead who has to not only deal with nefarious crime lords but racism within the department and out on the streets.
Iceman is a total men’s adventure series about a pimp secret agent named Henry Highland West. In his entourage are ass kicking, smoking hot lady sidekicks. In pulp hero staple style, he is uber rich, owns a million-dollar pleasure haven called the Oasis and with his own personal helicopter, travels the world annihilating evil doers including the usual suspects of the syndicate, South African slavers, and a Canadian extremist group among others.
He also wrote a lot of unauthorized biographies including, Richard Pryor, BB King, Langston Hughes (poet), Paul Robeson (professional football player, actor and singer).
It was difficult to find many black horror authors from the pre 90s era but Nazel was a name that kept popping up, mostly for the infamous Black Exorcist novel. The Black Exorcist was published in 1974 and then re-published in 1983 as Satan’s Master. It is about a Christian Reverend and a satanic voodoo priest battling it out for the people in the black community. It has lots of racial politics of the time battling it out on whether the best path is violence or love. But it also delivers in the horror aspects. You get zombies, mafia, voodoo, Satan, crime, sex, cults, possession and just plain old good versus evil.
Reference:
Paperback Warrior Blog
LA Times article by Emory Holmes
Jethrowegener.com
Jessnevins.com
Like I said I had a hard time finding black horror authors from before the 90s which is mind blowing because the post Stephen King explosion had every writer hacking out their bloated horror novel, so just by sheer numbers you would figure there would be some black authors. Maybe there is and I just couldn’t find them?
I did find this very interesting Glenda Dumas book titled, The Rootworker. Along with Joseph Navel’s Black Exorcist these seem to be two of the few horror novels published by Holloway House. I intend to make a whole video on Holloway House and was going to save this entry for that but we need the horror genre represented here so I’ll go ahead and mention it now.
There isn’t a lot of information about her but I believe Glenda Dumas is still alive. She put out a book called Visions of the Rapture and Unseen Realm in 2016 which according to her Authors Den profile is, “a book that describes how the Lord chose me to give an important message to His people. I was transported into the future and showed the Rapture by an archangel. I believe he was Michael, because he was extremely huge and Michael appears to have a major role in the end times. I must admit that he did not tell me his name. He did, however, show me how the Rapture will happen and let me know that most people are not ready to go up. This is a message that I need to get out.”
As for her 1983 novel The Rootworker, according to the back synopsis, it appears to be about a young woman falling in love with a man and her bringing him back to her small town in North Carolina where everyone in town, including her parents are in a secret cult that worships Satan called the cult of The Rootworker. There aren’t any reviews of the book online, so it looks like I’m going to have to pick up this book and rectify that.
Born in 1952 in Los Angeles, California and is still alive! He actually has a decent online presence where he is happy to chat about his writing, teaching the craft and isn’t averse to interviews. His first published piece of fiction was a 1979 collaboration with Larry Niven called The Locusts which was a Hugo nominee. Along with author wife Tananarive Due, they teach a course at UCLA called, “The Sunken Place: Racism, Survival and Black Horror Aesthetic.” His latest book was a Star Wars novel titled: Mace Windu: The Glass Abyss released in 2024.
He started out writing a science-fiction series with Larry Niven called Dream Park which had four entries from 1981 to 2011. Dream Park is an amusement park set in 2051. In the park, people can become characters in a live action role playing game. Similar to Dungeons and Dragons but you are essentially in a virtual reality. The story morphs into cyber-punk territory where the games are cutting edge technology, morphed into televised games and real murder and corruption going on in the background. This book inspired fans to create real world LARPing games based on the concepts.
His next series is the Aubrey Knight series which has three entries from 1983 to 1993. It takes place in a futuristic Los Angeles where ex-Cartel thug Aubrey Knight has left the gang to try and achieve his goals of being the null-boxing world champion. Null boxing is like MMA. The cartel sets him up for murder and Aubrey is sent to the Death Valley Maximum Security Penitentiary. There he kicks ass and fights for survival and freedom to enact his revenge on those who wronged him.
From a 2003 interview in Locus Magazine:
“When I wrote Streetlethal with a black guy and they put a white guy on the cover. My editor at the time was utterly mortified. Her editor-in-chief told me it was an art department decision, and the art department said it was marketing, and the marketing department said the truck drivers who put the books on stands would think it was some kind of 'Get Whitey', 'Shaft in Space' thing and refuse to handle it. No one would take responsibility. That's happened to tons of writers, black and white -- publishers wouldn't put a black character on the cover. Especially not a man. For Octavia E. Butler, I remember clearly when they would change her characters' race, would put green people on the cover, but not black people.”
Barnes has written over 30 novels and some screen plays for television including the reboot Outer Limits and Twilight Zone, Stargate SG-1, Andromeda and….Baywatch.
He doesn’t just write about kicking ass, he has many degrees in the martial arts including, a black belt in Kenpo Karate and Kodokan Judo. A brown belt in Shoenji Jiu Jitsu and lower belts in Tae Kwon Do and Akido. He is an instructor in Wu Ming Ta, Wu-style tai chi and Filipino Kalit stick and knife fighting. He also enjoys self-defense pistol shooting and Jun Fan kickboxing. And when he’s done kicking your ass, he can help you find your center again as he’s a Hatha Yoga instructor.
References:
Michaelaventrella.com (interview with Steven Barnes)
